War,' lent by Lee Krasner Pollock, Springs, Long Island, New York). 'Pollock, IV Bienal,' September 22–December 30, 1957, no. 40 (as 'Drawing,' lent by Lee Krasner Pollock, Springs, Long Island). State University of Iowa, School of Fine Arts. 'First Indiana Print and Drawing Show,' May 1–31, 1948, no catalogue. Yet even as Pollock's work engages with the history of art and offers a statement on the universal horrors of war, it also has a personal dimension, drawing on from the psychological language of Surrealism that fueled his early works. Some of the imagery may be traced to Picasso's pair of etchings The Dream and Lie of Franco, and to the Spanish artist's epic painting on war, Guernica, both from 1937. To the right, the crucifixion of a hooded figure is suggested. A human figure and a bull are flung onto a raging pyre of human debris. The drawing's narrative is one of horrific proportions. In this composition, the monstrous destruction of war is conveyed both by the fierceness of the graphic execution and by the imagery, much of which is camouflaged by the many linear motions, darkened and thickened and highlighted with flashes of red and yellow pencil to heighten the dramatic intensity. Pollock's famous War is the only drawing he ever titled, and, although inscribed '1947,' it relates to the iconographically complex images he produced earlier, around 1943–44. He often used his sketches to work through artistic ideas and experiments, from the realistic studies of the 1930s to the personal symbolism of the 1940s and ultimately to the individually characteristic linear expressionism of the 1950s. In fact, drawing played a seminal role throughout his career.

Best known for the drip paintings that have come to exemplify the innovations and freedom of Abstract Expressionism, Pollock was also a gifted and prolific draughtsman. Born in Wyoming and raised in Arizona and California, Jackson Pollock attended art school and worked in New York where he dominated the art scene in the 1940s and 1950s, becoming widely recognized as the leading Abstract Expressionist in America.

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